The Rain People (1969)

Directed by: Francis Ford Coppola
Written by: Francis Ford Coppola
Starring: Shirley Knight, James Caan, Robert Duvall, Marya Zimmet, Tom Aldredge, Laura Crews, Andrew Duncan, Margaret Fairchild

Shirley Knight plays Sara Ravenna, a Long Island housewife who runs away from her marriage when she discovers she is pregnant. She plans to drive into America's heartland and start anew. Along the way she picks up a friendly hitchhiker (James Caan) who calls himself 'Killer.' Soon she discovers that the good natured 'Killer' is actually brain damaged, and by picking him up she has unknowingly taken on a huge responsibility. The two of them drive all the way to Nebraska, where Sara gets Killer a job helping out at a roadside reptile farm. It is here that Sara meets Gordon, a local cop, and soon things go horribly wrong for everyone.

This is a powerful drama about people disconnected from society, alienated by the choices they make or by the limits imposed on them by others. Even with such a low budget and a very freewheeling attitude, the film is able to capture everything that needs to be said through these clearly defined characters. Shirley Knight has a complex, diverging role and there are moments of some awe-inspiring acting by her. One of my favorites is when she is on the telephone calling her home to her worried husband the first time. It is such a tense scene on both ends, and in every small gesture and inflection of a word, so much about her is spoken with so little. Then comes in the character of 'Killer' played by James Caan. This character is unlike any I've ever seen him play, and he performs wonderfully. It's one of his best performances as he is very restrained and moving.

The way Coppola develops the characters by using short, dream-like flashbacks is very clever, adding a fragmented kind of view onto it all. The quick flashbacks that are graphic and self-contained contrast well with the longer shots in some crucial scenes. Also, because this film was shot on location all over the Eastern U.S., it offers an interesting, authentic look at America in the late 1960's.

I haven't seen any other films starring Ms. Knight, I'm only familiar with her more recent work on television, usually playing a nagging mother in law or a dotty old woman. It was great seeing her so young, beautiful, and so wonderfully subtle in this movie. It's also kind of a shame that James Caan went on to be typecast as the 'tough guy' for the rest of his career, because this film evidenced that he is capable of so much more than that.



Final Verdict: See It

The Apartment (1960)

Directed by: Billy Wilder
Written by: Billy Wilder + I.A.L. Diamond
Starring: Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston, Jack Kruschen, David Lewis, Hope Holiday, Joan Shawlee

Bud Baxter (Lemmon) is a struggling clerk in a huge New York insurance company. He's discovered a quick way to climb the corporate ladder - by lending out his apartment to the executives as a place to take their mistresses. He often has to deal with the aftermath of their visits and one night he's left with a major problem to solve, when the girl he loves, Fran Kubelik (MacLaine,) who also happens to be the mistress of his boss, tries to kill herself in his bedroom.

I expected so much from this film, as it's always referred to as a classic. In my opinion, it's a ridiculously overrated film. The main characters are absurd and their motivations make little sense. The supporting cast plays characters right out of a comic book. All this superficiality and absurdity wouldn't matter at all if only this were a proper comedy. Unfortunately, it isn't one. This is a romantic melodrama with some humorous one liners.

The film plays up the near-perfection and integrity of its two main leads, but it simply doesn't wash in MacLaine's case. If she is such an angel why is she a home-wrecker who goes out with a married man with kids? Her suicide attempt is too far-fetched and overly dramatic. And what's with Lemmon's character? This guy is so self-sacrificing and noble that he should have been nailed to the cross in the last scene.

The basic plot outline of the film is good and there was real potential there for a terrific situation comedy, but Billy Wilder took the easy route and turned this into a schmaltzy romance film with the Hollywood violins accompanying every schmaltzy scene. The charisma of the two leads simply isn't enough to drag this movie out of the mud. The jokes and gags that there are, are mostly primitive and outdated at best.



Final Verdict: Skip It

I Saw What You Did (1965)

Directed by: William Castle
Written by: Ursula Curtiss; William P. McGivern
Starring: John Ireland, Sara Lane, Andi Garrett, Sharyl Locke, Joan Crawford, Leif Erickson

A trio of teenage girls spend the night alone in a big old house making prank calls to people from the phonebook. They have the incredibly bad luck of calling a man who has just murdered his wife and telling him, "I saw what you did, and I know who you are!" Thinking they are serious, the killer decides to find them and do them in. Also involved in all of this is the killers amorous neighbor, played by Joan Crawford, who sticks her nose into her neighbors business one too many times.

What a great idea gone to crap. The photography is flat, the acting is beyond weak, the score was from a 1960's sitcom, and the 'thrills' are non-existent. This movie has such a foolproof concept, but the writing is contrived and convenient. I try to see a silver lining in most bad movies, especially one that features Crawford, but there's no hope for this one.



Final Verdict: Skip It

Barefoot In the Park (1967)

Directed by: Gene Saks
Written by: Neil Simon
Starring: Jane Fonda, Robert Redford, Charles Boyer, Mildred Natwick, Herb Edelman

Robert Redford plays Paul Bratter, a conservative young lawyer, just married to a vivacious young woman, Corrie, played by Jane Fonda. Their highly passionate relationship descends into comical discord in a five-flight New York City walk-up apartment.

The only reason to check out this horribly dated comedy are the performances by Charles Boyer and Mildred Natwick, who play the eccentric upstairs neighbor and Corrie's uptight mother, respectively. Whenever they are on screen the movie comes alive with a comic energy that is absent in the rest of the film.

Redford and Fonda are alright but forgettable, and like most of the Neil Simon movie adaptations, the dialogue is corny and dated. In their day, Simon's plays must have been great on stage, but every film adaptation has the same kind of inoffensive and milquetoast humor that only Park Avenue types still find funny. After a while it just gets boring. Boyer and Natwick manage to make it work, but Fonda and Redford just sound like actors reciting dialogue from a play.

Final Verdict: See It for Charles Boyer and Mildred Natwick