Burglar (1987)

Directed by: Hugh Wilson
Written by: Lawrence Block; Matthew Wilson + Hugh Wilson
Starring: Whoopi Goldberg, Bobcat Goldthwait, G.W. Bailey, Lesley Ann Warren, James Handy, Anne De Salvo, John Goodman, Elizabeth Ruscio

In 1985 Whoopi Goldberg made her film debut in 'The Color Purple' and gave one of the best performances of all time. After the success of 'The Color Purple' it seemed like Hollywood wasn't really sure how to find the right fit for Goldbergs talents. In 1986 and 1987, she starred in three action comedies, 'Jumpin' Jack Flash,' 'Fatal Beauty,' and 'Burglar.' It seemed like Hollywood was trying to mold her into a female Eddie Murphy.

Of the three, 'Burglar' is easily the best. Goldberg plays Bernice Rhodenbarr, a cat burglar and used book shop owner. When an ex-cop comes to her with a threat to hand in evidence that he withheld years ago that would incriminate her, she is forced to do a job for him. She agrees to steal a dentist's jewellery back from her ex-husband after a messy split. She carries out the crime but is interrupted and has to hide. When she comes out of hiding she finds the man dead and her bag of jewels gone. In order to clear herself she must find out who would want the man dead before the cops can get to her.

While 'Fatal Beauty' was too dark, and 'Jumpin' Jack Flash' was too scattershot, 'Burglar' manages to find a good balance between the comedy and the action. Most of the comedy comes from Goldberg, who plays the smart-ass, streetwise type very well. The rest of the laughs come from Bobcat Goldthwait, playing Goldberg's manic friend, and Lesley Ann Warren, playing the frazzled dentist. The rest of the cast plays it straight, not attempting to upstage the star, and it works well.

The film does have it's major flaws. Some sequences drag on too long, some of the comedy falls flat, and the movie is filled with cliched twists and turns. But when the film works, it works, thanks completely to Goldberg.



Final Verdict: See it if you want to see Whoopi Goldberg before she got all schmaltzy in the 1990's, and especially before she replaced Rosie on 'The View.'

Nickelodeon (1976)

Directed by: Peter Bogdanovich
Written by: Peter Bogdanovich + W.D. Richter
Starring: Ryan O'Neal, Burt Reynolds, Tatum O'Neal, Brian Keith, Stella Stevens, John Ritter, Jane Hitchcock, Jack Perkins

This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan (Ryan O'Neal) by chance meets a motion picture producer. Immediately he's invited to become a writer for him - the start of a sensational career. Soon he's promoted to a director and shoots one silent movie after the other in the tiny desert village of Cacamonga with a small crew of actors. But the competition is hard: the patent agency sends out Buck Greenway (Burt Reynolds) to sabotage them. When they visit L.A., his crew is surprised by a new species: fans!

This movie has many problems. The biggest one being it's running time. At over two hours, it's just way too long for a comedy, especially one that aspires to recreate the screwball humor of the olden days. The second problem is the confusing tone. One moment it's a love story, the next it's a slapstick comedy, then it's a history of early filmmaking, then it's a melodrama, then back to comedy. Repeat that for over two hours and things get pretty tiresome. Because of the constant jerking of the tone, none of the leads make much of an impression with their characters.


The slapstick comedy that worked so well in director Bogdanovich's hilarious 'What's Up Doc?' falls flat on it's face here. If Bogdanovich hadn't used such a heavy-handed slapstick, there might have emerged a fond tribute to the pioneering days of silent films in the early part of the 20th Century. But instead, he has filled the movie with a whole series of non-stop sight gags that become tiresome and repetitious, even more so because none of the characters involved really come to life. As the pretty heroine of the piece, Jane Hitchcock has very limited abilities beyond staring wide-eyed into the camera lens. Burt Reynolds at least does derive several good chuckles from his comedy efforts as a reluctant participant in the troupe of silent film actors. Younger and elder O'Neal are not too bad, but Ryan is never as funny as he was in 'What's Up Doc?' and Tatum, whose performance in 'Paper Moon' is still the best child performance ever on film, isn't very memorable here.

Technically, the film is handsomely produced and pleasing to look at in color, but it plods along without the benefit of a tight script or a really compelling story and suffers, mainly, from the heavy-handed approach to comedy.


Final Verdict: Skip It